In this episode of the Fictionphile Podcast, the crew analyzes why The Dark Knight Rises is a work of art.
In this episode of the Fictionphile Podcast, the crew analyzes why The Dark Knight is a work of art.
In this episode of the Fictionphile Podcast, the crew analyzes why Batman Begins is a work of art.
In this episode of the Fictionphile Podcast, the crew analyzes why The Shawshank Redemption is a work of art.
In this episode of the Fictionphile Podcast, the crew analyzes why Teenage Mutant Ninja Turtles (1990) is a work of art.
In this episode of the Fictionphile Podcast, the crew analyzes why The Fifth Element is a work of art.
In this episode of the Fictionphile Podcast, the crew analyzes why Star Wars: The Empire Strikes Back is a work of art.
If you’ve ever been stuck indoors and driven stir crazy from lack of social interaction, these trapped movies help you feel not so alone.
Philosophy shapes every action in our lives, whether we recognize and understand it or not.
If you haven’t seen all or any of director Denis Villeneuve’s movies, make the filmmaker’s catalog a priority on your watch list.
Taika Waititi’s 2019 film Jojo Rabbit expands society’s collective memory of World War II.
Proceedings start slowly with Christine, as two high school friends, Arnie the geek and Dennis the jock, navigate life through high school.
This past award season, we bet there is one name you’ve probably heard more than any other: South Korean director and auteur Bong Joon-Ho.
Often times in science fiction we tend to eschew sci fi armor and instead focus on the ships, creatures, gadgetry, big flashy guns, and legally distinct laser swords.
Psychological thrillers leverage the complexity of the human brain, which allows them to tap into infinite possibilities.
HBO Max’s May 2020 premiere was already anticipated, but with Warner Max it’s clear WarnerMedia will enter the streaming wars guns blazing.
When analyizing A Star is Born (2018) using Laura Mulvey’s Visual Pleasure and Narrative Cinema it’s clear the narrative is inherently sexist.
When Shakespeare’s great tragedies are brought up, including Macbeth, we often focus on literary merits, but what about plot structure?
